Sunday 31 October 2010

Explore how one or more of mise en scene (including lighting), performance, cinematography, editing and sound construct meaning and provoke response in a film extract

The film that I have chosen for this is Body of Lies, which is a 2008 spy thriller, directed by Ridley Scott. The sequence I have chose is the Ballad Safe house sequence where they attempt to find a high-ranking terrorist but run into trouble. The micro elements that I will be studying for this extract is sound and cinematography. I chose this sequence because most parts of this sequence there are a lot either of camera movement and sound effects that are exaggerated or actually from the shot.

Starting with cinematography the sequence starts straight away with a long shot of Ballad in Iraq, this shows immediately to the audience that it is a deserted place but also a great place for terrorists or dangerous criminals to hide so already a sense of what is to come from this long shot. The camera then pans right but very slowly as it shows the car moving down the road, gives the sense of anticipation and showing will the road ever stop demonstrating loneliness. Then the camera is crabbing as it follows Leonardo DiCaprio to the rock, this is used to give the sense of danger that he needs to hide behind a rock to avoid been seen, this increases adrenaline and makes you want to watch. Panning and crabbing camera movements are used frequently in this film because the producer wanted to make it a spy film so they frequently follow subjects to give that sense of following without been seen and they do it extremely well. Next, there is a point of view shot of what he is seeing through the binoculars but then the camera zooms in on what he is seeing now the zoom does not feature very often in film, as it is too simple. I was quite surprised when the zooms were used but this was for a purpose to show the audience mainly why they are there. Now it is a close up of a bunch of cd, tapes and files been burned so obviously showing they do not want these tapes found building up to show the audience that these are dangerous people. The camera then returns to Leonardo with a close up and showing him talk on his radio this gives the sense of action and that he has seen something he does not like and it is time to act. Next, the camera closes up on both characters but mainly the weapons especially the sniper rifle, this tells the audience they are now getting what they are waiting for an action scene. Tracking is the next camera movement as it follows DiCaprio walk down the road dressed as an Arab, this is to show now that he is out in the open he cannot hide anymore and the camera movement make it like a spy film brilliantly. Then objective positioning as it blurs out DiCaprio and shows Bassam with the sniper rifle, this makes DiCaprio look vulnerable as it makes him look small and dependent on his friend to cover him. Another close up is used however, on the man burning the cd, this shows confusion and wonders who it is and this shows the audience the hostility of the situation. Furthermore you then see the man look round to his friend, this now increases hostility as DiCaprio is outnumbered, this gives a sense of shock to the audience that DiCaprio could be captured or killed. Then their is a close up on DiCaprio showing the audience that he knows as well he is outnumbered after looking at two ak-47 assault rifles. A close up is used again as he explains where he is from but he knows he is running into trouble as soon as he says he is from Baghdad, Rasafa. In addition another close up is used but this time on the man eating as he attempts to pick up his gun, this puts the adrenaline on edge, you are wondering exactly when will it start. Then two close ups are in used in about 2 seconds as it shows Bassam with the rifle and then on the ak-47 this shows sort of like a gun duel shows the audience someone will die but you don’t know who. Then the audience get they wanted, a gunfight but however the camera seems to stay still for most of the action here as it tries to catch it all without moving, the producers did not want you to miss a bit. You then get several close ups of armed helicopters showing the action is going to get better and then a long shot of bassam driving fast down the road to the safe house, shows they need to get out of there quick before the airstrike hits. You next a close up of the helicopters from the front showing how heavily armed they are, this shows to the audience that they wont be just doing the airstrike they may be needed for support on the ground . The camera then twice crabs first to the right and then to the left as they attempt to evade the explosions. You then have more crabbing as it then follows the enemy vehicles coming to the scene, this is used to show the action is not over yet and builds adrenaline even higher makes you feel you know how dangerous this situation is. In addition, you then get a close up of a G-36C assault rifle. Then crabbing along the weapon as DiCaprio fires it from his vehicle, this gives a feeling of that you are the one firing the gun makes you feel involved in the action, this was the producers intention to feel as much part of the film as the actors. There is then a high angle shot of the cars, makes them feel vulnerable and small compared to the helicopters which are made to look the dominant force. Then another close up of Bassam as he desperately attempts to get help, this gives the audience a sense of shock will the helicopters arrive in time to save them, the producer does this on purpose to build suspense. You then get a low angle shot from the enemy vehicle of the helicopters, showing to the audience the vulnerability of the vehicles. What happens next is that you then get a close up of a RPG-7 this shows to the audience they were prepared if they were to run into trouble. The sequence finally ends with a close up of Bassam as he is killed from an RPG whereas you see from a low angle shot the helicopters take out the remaining car, this shows that the action is over but unfortunately one of the characters has been killed.

Finally, I will talk briefly about the sound used in this sequence. In this sequence, both diagetic and non-diagetic sounds are used but it seems more non-diagetic is used. First of all main diagetic sound is the speech. They mix it around at first the speech is calm as he talks to Bassam. However then the speech becomes more aggressive in the middle for example “We are in some pretty serious fucking trouble here”, this sound delivery and pace used to make it seem more realistic and how you would actually react in a real life situation like that. Moving onto non-diagetic sound the main one is the music. They make the music quiet at some points similar to the speech so they keep consistency between styles. However the music is loudest always when it is showing the helicopters, the producer does it on purpose to show the audience that the helicopters are the most strongest in the sequence and the music emphasises it. I like the music because it helps demonstrate the power of the helicopters but also the fact that it builds up just like the adrenaline in the audience so they really make it work well with sound in intensifying the action. Finally, the other use of exaggerated sound is the gunfire. This has a purpose just like the music as they use it to build up adrenaline and to intensify what is going on. They also exaggerate reloading of magazines on the weapons and explosions but this helps to make it seem the fast-paced action packed ride that it is supposed to be.

This sequence overall was extremely good to watch. When I first saw it, I thought it was thrilling and exciting as the building up tension was brilliant. The cinematography and sound really added to that as it made me feel more as if I was in the film myself witnessing these situations. It made me realise the amount of effort that goes in behind the scenes to try and make the action look as realistic as possible and not to over exaggerate too much.

Monday 11 October 2010

Film Studies CINEMATOGRAPHY

1. What is Cinematography?
 Cinematography is the making of lighting and camera choices when recording photographic images for the cinema. It is closely related to the art of still photography. Many additional issues arise when both the camera and elements of the scene may be in motion, though this also greatly increases the creative possibilities of the process.
2. 3 Different shot sizes
A shot size is the size of an object or person that they want to see for example a close up would want to show all features of a person's face nose, facial hair etc, another example is a medium shot this is where you can see whats going on but not as detailed as a close up. In addition one final example is a long shot this is where it helps to show everything around you this is oerfect for horror films to show loneliness.
This is an exampole of a close up
This is an example of a medium shot size you cant clearly see everything on his face
This is an example of a long shot
3. Camera Angle
There are mainly two types of camera angle, low camera angle and a high camera angle. For a low angle shot shot the camera is positioned on the floor looking upwards or tilted and the effedt created is to make things look bigger than what they are.
Example of a low angle shot
Example of a high angle shot- makes the subject look weak or vulnerable
4. Movement
The camera moves in many ways 4 types are pedding, panning, tracking and crabbing. The difference between pedding and panning is that panning is the horizontal movement of the camera whereas pedding is vertical movement. Whereas the difference between tracking and crabbing is the fact that tracking follows the subject whereas crabbing moves left or right like a crab following the subject.
5. Composition

A rule of thirds is where the camera discourages the subject at the centre and makes you look at other parts of the frame. It is a preferred method to composing shots because like I said it discourages the subject so it doesnt make it look its all about the main actor etc.
6. Positioning
There are two types of positioning, subjective and objective positioning. The difference between the two is subjective positioning shows the subject and blurs everything in the background whereas objective shows everything. The film Let The Right One In effectively uses subjective positioning, an example is when the man witnesses jockes death it clearly shows only his facial expressions and blurs out everything else. It is effective because it shows that he couldn't do anything about it the balcony shows he is barricaded and could not intervene.

Thursday 23 September 2010

My Favourite Film

THE DEPARTED
This 2007 Gangster thriller directed by Martin Scorsese is my most favourite film that i ever seen. What I like mainly about this film is how several stories are converged into one. A cop is inside with the mob whilst another is inside with the mob but both doing different jobs. I also like the cast of the departed as they all give great performances especially Jack Nicholson who knows already how to play a mad man i.e. the shining. The film also includes Alec Baldwin, Leonardo DiCaprio, Mark Wahlberg, Matt Damon, Ray Winstone and Martin Sheen.

Saturday 18 September 2010

Film Studies Homework- Analysing Performance

Film Studies Homework- Analysing Performance of Hugo Weaving in James McTigue's V For Vendetta 2006 

For this piece I will be analysing the performance of Hugo Weaving in James McTigue's 2006 revolutionary thriller V For Vendetta. I have chosen to study this actor because I believe he gives a fantastic performance as a masked avenger and gives the best delivery of lines I have ever seen in a film. He stars as a masked avenger called V who wants to blow up the houses of parliament for retribution and also a change of power in the government. This 5 minute sequence is at the beginning of the film where he intervenes when finger men attempt to rape Natalie Portman and until the scene where he blows up the Old Bailey. This image is from the 5 minute sequence that I chose to study.

First of all when we first see him you straight away think that hes an evil man because of the Guy Fawkes mask showing some kind of revenge or retribution but however his body language shows hes not evil as he intervenes when finger men attempt to rape Natalie Portman. Straight away his body language shows that he is not letting them get away as he has his head down and speaking in complex and religious vocabulary to mainly get their attention. When they tell him to bugger off his body language becomes more aggressive and pulls out a knife and now shows that he is going to harm them. When they try to confront him he attacks them and knocks two unconscious before killing one. Then his body shows a sort of leader role as he is stood up and she is on the floor showing now he's in control and he shows this throughout the film especially until he blows up the Old Bailey. Also it is quite surprising because even though he is wearing a mask that constantly has a smile you can still tell what his facial expressions are under the mask. For example when he is talking to Natalie at first he will have a normal tone face but when he begins to become aggressive you can tell his eyebrows will have dropped and also his whole face won't be relaxed anymore which I like because James McTigue's shows that you can still tell facial expressions under a mask. Then when he is giving a speech to the old bailey his body language again shows that he is mysterious and people have no idea what he is doing then when he explodes the Old Bailey his body language changes and suddenly is active moving around in a happy tone.

What I think he performs best though is his delivery of lines. He begins his delivery of lines at first in a simple, calm tone when he is describing himself, however when he makes a whole alliterative delivery of lines with the letter V it is really good how he doesn't make mistakes and has now changed from simple to aggressive and violent. However after he has vandalised the sheet of paper he calms down his delivery of lines again addressing them simply and again becoming human because he is expressed as crazy by Natalie Portman which shows his delivery of lines were perfectly executed because she was supposed to think he was crazy. He has no particular accent which shows that he is delivering normally rather than a rehearsed accent which I like cause I think if he had put on an accent his delivery of lines wouldn't be as incredible as they are. The pace of which he delivers them is fantastic and great to watch because he does it without hesitating you lose what he is saying which obviously is the purpose because V is portrayed mysteriously throughout the film. He uses complex vocabulary all beginning with the letter V and does that continually for about 1 minute of this sequence. His delivery of lines then becomes a sarcastic tone as he begins to mock Natalie's 'powers of observation' which he does for some part of this 5 minute sequence.

His costume/image is the most important part in this film because he is playing as a masked man. They dress him like Guy Fawkes with the mask, hat and the long coat because this is how they portray him as an evil man bent on retribution. Also his image also wants to portray him as evil because he carries 6 knives and also the Guy Fawkes mask. His costume also shows some kind of revolution plot as they are old clothes it shows that they want to have things as they were before rather than beginning a new era which is deliberately used by Hugo to show straight away, revenge plot.

This shows simply why Hugo Weaving is a fantastic performer in V For Vendetta and is one of the main reasons I like the film because of him.